A cubist black patinated bronze model of a standing horse mounted on
an integral plinth base, signed and dated on the plinth
29 x 34 x 14 cm
It's tempting to believe that Raymond Duchamp-Villon (née
Pierre-Maurice-Raymond Duchamp) was destined to become an artist –
his maternal grandfather was the well-known painter and engraver,
Émile Frédéric Nicolle, and three of his five siblings, Marcel
Duchamp, Jacques Villon, and Suzanne Duchamp-Crotti all forged
successful careers as artists. However, Duchamp-Villon had early
ambitions to become a doctor and studied for several years before
graduating from the Sorbonne before a crippling bout of rheumatic
fever forced him to retire from his studies in 1898.
It was during this period of recovery that Duchamp-Villon, encouraged
by his brothers Jacques and Marcel, began to experiment with
sculpture. The remarkable gifts of the self-taught sculptor were soon
recognized and in 1902 and 1903 he was invited to exhibit at the
Société Nationale des Beaux-Arts, where he exhibited under the
designation "Raymond Duchamp-Villon" to distinguish his work from that
of his brothers. In 1905, Duchamp-Villon exhibited at the Salon
d'Automne and only two years later, in 1907, his reputation had grown
to such an extent that he was elected as a jury member for the
sculpture department of the Salon.
Duchamp-Villon's early experiments in sculpture were largely centered
around the more naturalistic model of sculpture as dictated by Auguste
Rodin. However, by the 1910s, as the world around him changed, so did
his art. Together with his brothers, Marcel and Jacques,
Duchamp-Villon became an important figure in the Section d'Or group
from 1911 onwards, a collective of painters, sculptors, poets and
critics associated with Cubism and Orphism. As one of the first
artists to introduce Cubist principles,